Restaging 'Charged'
Teater Ekamatra is restaging 'Charged,' a 2010 play about racism in the SAF, at Funan from July 23 to August 2. The production aims to revisit these themes 15 years later to assess progress and ongoing challenges.
11437Culture & Society
Teater Ekamatra's Shaza Ishak discusses the 15-year-old play 'Charged,' personal encounters with racism, and the ongoing debate about Singapore's racial harmony.
Shaza Ishak, Artistic Director of Teater Ekamatra, is restaging the 2010 play 'Charged' to examine racism within the Singapore Armed Forces (SAF) and broader societal issues. She highlights how victims of racism are often trained to minimize their experiences and discusses the complexities of Singapore's CMIO (Chinese, Malay, Indian, Other) model.
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Key takeaways
Teater Ekamatra is restaging 'Charged,' a 2010 play about racism in the SAF, at Funan from July 23 to August 2. The production aims to revisit these themes 15 years later to assess progress and ongoing challenges.
11437Ishak shares an anecdote about a lawyer who denied racism's existence in Singapore while singling out his only Indian colleague. She notes that academic studies show victims are often trained to minimize their own experiences of racism.
225Ishak transitioned from corporate finance to theatre, driven by a desire for artistic expression and a voice, despite family and social pressures that often favor media or corporate careers.
202223The discussion covers the CMIO model, ethnic housing quotas, and whether Singaporean identity is being diluted. Ishak explores the trade-offs of these policies and the need for more productive conversations about integration.
29303132Ishak discusses firsthand experiences of racism in National Service (NS), noting that ethnic minorities are often cast as comic relief in media and NS, which can obscure deeper issues of prejudice.
333435Ask GenPod next
โHow has the perception of racism in Singapore changed since 2010?โ
โWhat role does the CMIO model play in defining Singaporean identity?โ
โHow can theatre serve as a tool for social activism and change?โ
Background reading
Questions
Ishak believes the current social and political climate makes the themes of race and racism in the SAF particularly relevant, prompting a re-examination of progress made since 2010.
1637She describes being trained to minimize experiences of racism and facing situations where colleagues deny racism's existence while simultaneously marginalizing minority voices.
225The discussion explores how ethnic housing quotas aim to maintain multiculturalism but may also create trade-offs in terms of individual choice and the perception of integration.
32Ishak notes that ethnic minorities are often used as comic relief in media, which can dilute the seriousness of racial issues and reinforce stereotypes.
35Experts
Artistic Director, Teater Ekamatra
1Sources and disclosure
This guide is based on episode #841 of the podcast 'Yah Lah But,' featuring Shaza Ishak. The episode was published on July 17, 2026.
Teater Ekamatraโs Artistic Director, Shaza Ishak, restages Charged, its 2010 play on racism in the SAF, at Funan from 23rd July till 2nd August.
Ishak recounts a lawyer who denied racism exists in Singapore, then made his only Indian colleague answer for it in front of the team, plus her academic study which revealed that victims of racism are trained to minimise their own experiences.
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CHARGED by Teater Ekamatra | Ticket
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โข Haresh: Kane loses voice | FIFA World Cup 2026 โข Terence: Why The Same Brand Is On The Bottom of Every Boot โข Shaza Ishak: Complaint! by Sara Ahmed
(00:00) Intro
(01:56) Restaging Charged 15 Years Later
(03:37) What Charged Is About: Race and Racism in the Army
(04:17) Why Now Is the Right Time for Charged
(07:16) Ethnic Minority Theatre and Inclusive Storytelling
(07:57) How Teater Ekamatra Curates Its Stories
(09:35) Shaza's Early Encounters With Racism
(13:12) Finding a Voice Through Theatre
(14:10) Art as Expression vs Activism
(16:22) Media as a Career: Family and Social Pressure
(18:05) Choosing Theatre Over Corporate Finance
(21:33) What's Changed Since Charged First Staged
(22:45) The Lawyer Who Denied Racism Exists in Singapore
(26:02) Race, Class, and Why "Comfort" Matters
(27:16) Social Media, Polarization, and Being Vocal About Race
(30:36) Playing Devil's Advocate on Casual Racism
(31:06) Is Singaporean Identity Being Diluted?
(33:48) Rethinking Integration and Multiculturalism
(37:11) Debating Whether Singapore Needs CMIO
(39:59) Ethnic Housing Quotas and Their Trade-offs
(41:19) Race in National Service
(45:23) Firsthand Experiences of Racism in NS
(49:49) Ethnic Minorities as Comic Relief in Media
(51:29) Becoming the "Difficult Person" Who Calls Out Racism
(52:51) Is Charged Still Relevant 15 Years On?
(55:13) Race, Foreigners, and a More Complicated Conversation
(58:48) Who Decides What's Tone-Deaf?
(1:00:11) What Does a Productive Conversation Look Like?
(1:02:51) Racial Harmony Day (Satire)
(1:03:04) Looking at Other Multiracial Societies
(1:05:35) Rejecting the Idea of Chinese Privilege
(1:10:00) Can Racism Be Solved? Radical Optimism
(1:13:43) Experiencing Racism Abroad vs at Home
(1:16:28) Charged's Hoped-For Impact and Future Reruns
(1:19:21) Marketing Charged: Bring a Racist Friend
(1:20:04) Where to Watch Charged and Follow Shaza
(1:21:05) One Shiok Thing
(1:25:23) Post-Interview Reflections
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